Charles Adai, the founder and editor of Hard Case Crime novels, wrote a piece for Boing Boing about Joyland.

Which brings us to Joyland, and the decision to tell readers they’re going to have to read it the old way, as ink on paper, not pixels on a screen. We did wind up expanding beyond just the paperback, though that will still be the book’s true first edition, more than a million copies strong. A bit later, we’ll also put out a tiny hardcover run for collectors, about two thousand copies, featuring special art and other catnip. But that’s it – you’ve got your paperback and you’ve got your hardcover, the same two choices you had for books when Steve was growing up and when I was. There may be an ebook edition down the road, but for now it’s paper or…paper.

And why? Part of it is the desire to support traditional booksellers, something Steve and I both care a great deal about – it’s frightening to see the decline in the fortunes of bookstores over the last handful of years. (Anecdotal example: New York used to have four or five mystery bookstores, now there’s only one left. And that’s New York.) But as some people have pointed out online, our print edition is available through online booksellers such as Amazon and, not to mention from bricks-and-mortar retailers that aren’t bookstores. So clearly the desire to support bookstores, though genuine, isn’t the only reason.
For me, at least, the other reason is that some stories just beg to be experienced in a certain way, and Joyland is one such. Joyland is framed as the reminiscence of a 61-year-old man about events he experienced four decades earlier, in the summer before his senior year of college. It’s about memory; it’s about the passage of time and its impact; it’s about ways of life that existed once and are gone now, ones that deserve not to be forgotten. It’s about all the things that led us to create Hard Case Crime in the first place.

You can read more about Adai, Hard Case and Joyland HERE.

Read our review of Joyland HERE.

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