Patrick Healy of the NY Times posted an article about the failure of Carrie: the Musical:

Several theater producers contacted recently said that “Carrie,” no matter how well acted and sung, presented far more than the usual share of difficulties, the most insurmountable being that nearly every character is dead at the end. 

They [Producers] put the onus of the abbreviated Off Broadway run on critics, contending that many of them chose not to assess the revival on its merits but to analyze it through the prism of the Broadway flop. Most major reviews of “Carrie” did compare the two productions, given the infamy of the original and the significant changes to the script and score for the revival.

To that end, the creators and MCC said one successful result of the revival is that the musical would become a licensable property available for productions at high schools, colleges and regional theaters. After the 1988 Broadway production closed, the creators were so devastated that they refused hundreds of requests by directors and theater companies to stage “Carrie” until Mr. Arima pitched his vision. Now the creators are ready to say yes to productions, and are already talking to one — SpeakEasy Stage Company in Boston — about doing “Carrie” next spring.

 For the rest of the article head over here.

 

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AuthorJoe Camillieri
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